Welcome to the latest edition of my “AHHH!!! This new, scary AI tools was just released!!! Is everything coming to come to an end!?!?” newsletter. It’s my semi-regular update where I dive into the latest buzz from my social media universe and tell you that everything is going to be ok.
As someone who curates my social media feeds to highlight the joy and creativity in the world, my interests range from traditional and 3D art, to virtual/augmented reality, film, distance running, ceramics, and the Chicago Bears. This approach ensures my online experience is filled with inspiring artwork, fascinating insights, and the occasional homage to Walter Payton, inarguably the greatest running back of all time.
However, the digital tranquility of my social media landscape was recently disrupted by a major development: the release of OpenAI’s Sora, a groundbreaking text-to-video tool. Discussions around Sora spiraled into fears of it potentially overturning the entire film and creative industries. — Read More
Daily Archives: February 27, 2024
Gemini and Google’s Culture
Last Wednesday, when the questions about Gemini’s political viewpoint were still limited to its image creation capabilities, I accused the company of being timid:
Stepping back, I don’t, as a rule, want to wade into politics, and definitely not into culture war issues. At some point, though, you just have to state plainly that this is ridiculous. Google specifically, and tech companies broadly, have long been sensitive to accusations of bias; that has extended to image generation, and I can understand the sentiment in terms of depicting theoretical scenarios. At the same time, many of these images are about actual history; I’m reminded of George Orwell in 1984:
Every record has been destroyed or falsified, every book has been rewritten, every picture has been repainted, every statue and street and building has been renamed, every date has been altered. And that process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right. I know, of course, that the past is falsified, but it would never be possible for me to prove it, even when I did the falsification myself. After the thing is done, no evidence ever remains. The only evidence is inside my own mind, and I don’t know with any certainty that any other human being shares my memories. — Read More